![]() The faces of his portraits would carry more emotion and his figures also more closely matched what we would see in real life. His perspectives were not so flat, and his colours far brighter. ![]() Many traditional approaches to art found within the medieval period would be moved on from, with this artist being at the forefront of the transition. Giotto brought about changes within Italian art, starring as he did within the Proto-Renaissance. The passage itself tells us of the importance of faith in God, and the rewards that this can bring for those who commit themselves to his word. The story of Lazarus provided an opportunity for him to display a dramatic moment from the Bible, where one of Jesus's followers is resurrected from the dead. Certain stylistic touches run throughout the entire series and despite employing a large number of assistants for many of the tasks in this considerable commission, Giotto himself was still able to keep a clear style which persisted throughout the cycle of frescoes. The cycle itself is regarded as his finest achievement, and within that, The Raising of Lazarus is considered one of the specific highlights. ![]() He would do similar with Mary too, before finishing off the interior with several more designs to fit the unique architecture. One section of the project would concentrate on the life of Christ, with around two dozen artworks capturing various episodes from the Bible. The scene displayed here was just one of a large number of frecoes produced by the artist for the Scrovegni Chapel in Padua, Italy in the very early 14th century.
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